These tuners are classy through and through, from the feel to the materials to even the box. I put the Gold/Galaith Ivory pegs on my Rich & Taylor (So Long So Wrong banjo) and have been using them on the Alison Krauss tour. The 10:1 gear ratio makes my job easy. I'll be putting them on my 1926 Gibson Granada and my Banjocaster this week. Check the Store page for more details!

My most recent record (or album, as Damien O'Kane would say) Banjophony has been out for nearly a month now and we've been thrilled by the brilliant response to our 'cooperating-banjos' sound! There are exciting bits of news we can't mention yet but, for now, here's what some people have been saying about Banjophony, which is available on Amazon as cd or download and iTunes. 

'Fuses together Irish and American bluegrass traditions with impressive ambition' - FOLK ALBUMS OF THE MONTH, The Guardian, July 2018 

'Individually Damien O’Kane & Ron Block are masters of their instruments. In Banjophony, they’ve taken a collective approach to create an album of incredibly captivating music' - Folk Radio 

'They have invented the title Banjophony to describe their sound. I would have called it simply gob-smacking' - 5*Review Spiral Earth 

'Banjophony goes deep into the American-Irish cultural connectivity in a soulful, intricate way' - Irish Music Magazine Official 

'The banjo has too often been the subject of jokes but this transatlantic duo has produced a truly magnificent album - Shire Folk Magazine (Sep/Oct 2018) 

'If you weren't up for swinging your pants to a banjo tune or two, you are now...Ron and Damien are flying the flag for making the banjo more cool and even sexier' - Louderthanwar 

'Banjo playing is the new rock n' roll and you better believe it after listening to this wondrous album' - 4* Review http://getreadytorock.me.uk/blog/2018/07/quick-plays-chinawhite-calm-for-the-restless-damien-okane-ron-block/

“I challenge banjo non-believers not to be moved by this transatlantic banjo union” - Lynette Fay BBC Radio Ulster 

'Absolutely delightful – a superb piece of music by two big banjo players. Working in harmony and tandem – a superb sound. Just so sweet' - BBC Radio Merseyside 

'Phenomenal! I was utterly blown away by these guys. Exquisite musicianship. My gig of the year' - Ralph McTell (after a live show). 

"Beautiful and wild...there are no boundaries here" - Jerry Douglas 

"Banjophony is the soundtrack of summer" - Kate Rusby 

Thanks for all the banjo love!

I'm so thrilled to announce this upcoming duo banjo record with Irish banjo wizard Damien O'Kane, with an amazing mix of U.S. and U.K. musicians. We'll be touring in late July and early August in the U.K. 

Artwork by Alkalart and design by Tom Pitts at Hand Drawn Pixels. 

"Like" our Facebook page here for updates, upcoming videos, and whatnot: https://www.facebook.com/DeeandRon/

Greetings! First of all, thanks so much to everyone who has participated in my online banjo workshop on RonBlock.com! It has been an amazing response. The workshop sessions and extra videos will be up on the site for a good long while, and the extras, including my Traditional Banjo Workbook, will continue to be given away as a part of the online course. If you're interested you can find the course at https://ronblock.com/home.  

2018 has shaped up very well for touring. I spent the end of January until the middle of February in the U.K., playing with Kate Rusby and Damien O'Kane at Celtic Connections in Glasgow, then headed to Yorkshire to finish recording Banjophony, a melding together of Damien's Irish four-string banjo style with my more bluegrassy approach. Damien is one of the best musicians I know, and I'm thrilled to work with him. We'll tour Banjophony in the U.K. this year, starting with the Underneath the Stars Festival and ending with the Cambridge Folk Festival on August 5th (I'll be playing with Kate Rusby there as well, and one other date on that U.K. trip).  

I came home Feb 13th, and on the 16th through the end of the month helped produce a ten-song, sparse, folky recording with Jackson and Ella Paul, a brother-sister duo from London with excellent voices and playing.  

Despite a minor flood in my studio due to a broken pipe, Ethan Jodziewicz and Barry Bales played bass last week on several of the Banjophony tracks, and Sam Bush, Sierra Hull, and Stuart Duncan are due here next week to add parts. 

I'll be guesting on March 17th at the Music City Irish Festival here in Nashville, and near the end of March I head to Sore Fingers, a bluegrass and old-time camp in Kingham, U.K., near Oxford - always a thrill to spend time with U.K. friends.  

When I get back I've got some dates at the end of April with The Vintage Martins (Eric Uglum and Bud Bierhaus) in Kentucky and Indiana, and then rehearsals for the Alison Krauss tour start. We tour, more or less, from mid-May until October - check www.ronblock.com/tour for specifics - not all dates are up yet; I'll post them as they are confirmed.

Best,  

Ron

Greetings, fellow banjo pickers! 

Have you had moments where you've wanted your playing to move along more quickly? Have you ever wondered if you have what it takes to go to the next level? 

I've struggled with all those things. At nearly every level, I've plateaued and thought, "Is this it? Am I stuck here?" Since the age of thirteen I've been obsessed with learning how to play the banjo well, because going to the next level is always such a thrill. 

As a result I've had to develop some tried-and-true ways of doing things through experimentation and study. I've used these ideas for my 26 years with Alison Krauss & Union Station, for the O Brother soundtrack, and for everything else I've ever played on - and I'd love to share them with you. 

Just got this in an email: “I’ve just got to say, this workshop has been so much more than I expected….The effort you’ve put into this and the ground you’ve covered like a fog will keep me busy for years….Again, thanks so much. I call that a bargain, the best I ever had!” David W. 

TOPICS: Just a few of the things I've covered: 

Releasing tension (the thing that puts a lid on our dexterity). 

How I work on timing and feel. 

Dynamics. 

Tone. 

Backup. 

The trick to learning the neck well. 

String bending, vibrato, and working it all into rolls. 

Single-string playing. 

Slow playing. 

Clinch Mountain Backstep. 

Mollie Catherine Carter. 

Learning from recordings. 

How to practice effectively. 

Oh, I almost forgot the extras. By signing up for the workshop you'll receive free downloads of my banjo-oriented bluegrass record Hogan's House of Music, my Christmas Collection (18 holiday favorites), and a pdf of my long out-of-print The Traditional Banjo Workbook. 

I look forward to seeing you there. 

LESSONS WITH A PRO: 26 Years With Alison Krauss & Union Station, banjoist on the O Brother Soundtrack’s “Man of Constant Sorrow,” and on sessions with Dolly Parton, Kate Rusby, Dan Tyminski, Vince Gill, Randy Travis, Alan Jackson, and many more. 

LEVEL: Broadly Intermediate - lots of material for not-so-beginners all through early advanced players. 

SUBJECTS: Playing without tension, improving timing and feel, dynamics, tone, string bending, vibrato, scales, single-string playing, transcribing, and more. 

BONUS MATERIALS: Each participant will receive free downloads of Ron’s banjo-oriented bluegrass cd, Hogan’s House of Music, his Christmas Collection of 18 holiday favorites, and a free download of the long out-of-print Traditional Bluegrass Banjo Workbook – a total of $49 in free extras. 

WORKSHOP REVIEWS: "As a guy who's been participating in this clinic I promise you the value you'll receive is worth FAR more than the price. I've done banjo camps, clinics, and lessons with the best in the business. The wisdom Ron imparts is second to none. You WILL be a better player, and you'll enjoy every second. You'll have a hard time putting your banjo down after the first session, and you'll be thinking about it all day at work after the second. And it only gets better from there." 

"Great class. Ron knows how to communicate; he 'teaches ideas' and is well prepared. No wasted time. The overall class experience is like having a one on one lesson with good friend."